The jam-test syndrome March 8, 2005 Dear Judith, Among my tropical, under the palapa reading I included "Blink," Malcolm Gladwell's new book on the values and pitfalls of quick and intuitive decision-making. Lots of good stuff here. For example, the various brands of products such as strawberry jam are subjected to rigid tests by professional tasters. White-coated experts compare a full clipboard of criteria--texture, colour, viscosity, taste, etc. In an additional spin, a bunch of randomly selected college students are asked to give their opinion on the jams. One gulp of each and these folks pretty well duplicate the results of the experts. But that's not the interesting part. When yet another group is asked to put into writing and to defend their choice of the jams they get them all mixed up. Some of the poorest quality jams come out on top, and some of the best score near the bottom. Psychologists call this phenomenon "verbal overshadowing." It seems that when we try to put our decisions into words we get into the business of fooling ourselves and muddying the waters. Artists who jury shows, give crits, or rationalize the marking of their students' work may have noticed the problem. In one competition we jurors were asked to write a short evaluation of each work entered. I remember watching my fellow jurors squirming in front of work and not being able to say "why." One guy was into changing his votes. Wisdom prevailed and the keepers and losers were let be. One colleague remarked that this was the reason art schools could be such wastelands. "Art's a doing thing," he said. Gladwell's book rather promotes the idea that in love and war, in food and art, the quick, intuitive decision, without verbiage, is the one worth heeding. The French call it "coup d'oeil" (power of the glance). Recently I was asked to comment on the authenticity of a newly discovered work by the well-known painter, A. Y. Jackson. As there were fakes about, several white-coated experts had had an inconclusive go at it and the buyer was hesitant. One glance and I knew it was a phony--as it was soon proven to be. I have a fair degree of experience in cruising Jackson's work. This one looked okay, typical subject matter, on style, correct pigments, the right ground, etc., but it was the wrong "hand." It was "attempted hand," not his hand, and that, in a glance, made the difference. Best regards, Robert PS: "Our unconscious is really good at quick decision-making--it often delivers a better answer than more deliberate and exhaustive ways of thinking." (Malcolm Gladwell) Esoterica: Gladwell notes that police officers are trained to make quick decisions about when to shoot people. Sometimes they get it wrong. It's not always good to make quick, visual decisions. Auditions for membership in symphony orchestras have changed over the last thirty years. Candidates are now screened-off from the decision-makers who are also asked to remain silent. The practice of auditioning behind a screen has resulted in a remarkable increase in the hiring of brilliant trombone players who just happen to be women. Current clickback: If you would like to see selected, illustrated responses to the last letter, "Variety," mostly about inspiration from bird life, please go to: http://www.painterskeys.com/clickbacks/variety.asp If you would like to comment or add your own opinions, information or observations, please do so. Just click "reply" on this letter or write rgenn@saraphina.com If you think a friend or fellow artist may find value in this material, please feel free to forward it. This does not mean that they will automatically be subscribed to the Twice-Weekly Letter. They have to do it voluntarily and can find out about it by going to http://www.painterskeys.com |
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